Happy Birthday Langston Hughes!

February 1 is both the birthday of Langston Hughes, renowned African American poet, and the beginning of Black History Month. I would like to share on of my favorites, a live recording of Langston Hughes performing his most famous poem, “The Weary Blues,” on a 1958 television program.

Now more than ever, we need to support institutions keeping African American history alive like the Carter G. Woodson Branch of the Chicago Public Library. Recently, there was a community forum attended by 100 people concerned about the delayed repairs to the library, as can be seen by the scaffolding which still remains on the front of the building along Halsted Street.

In other news, this March I will be in Lawrence, Kansas for the Mid-America American Studies Association conference, “Battleground Midwest: Defining Who and What Matters in the U.S. and Beyond” at the University of Kansas. I’m on a panel titled “From Coal Fields to Kitchenettes” about Illinois civil rights history.

A review of my first book, The Black Cultural Front, by Graham Barnfield, appeared recently in an excellent issue of Against The Current. It was included in a Black History Feature along with an interview with one of my mentors, Mary Helen Washington, as well as a review of William Maxwell’s book F.B. Eyes by the journalist John Woodford.

A review of The Negro in Illinois: The WPA Papers by Julia Mickenberg (an old friend from Claremont, CA), appeared in The Annals of Iowa, the publication of the State Historical Society of Iowa. The book contains, she writes, “a lyrical, quirky, and often poetic set of stories about forgotten figures, phenomena, sites, and processes in Illinois history.”

Wishing you health and happiness in the New Year! BD

A Century of Black History: ASALH Events and Du Bois Lecture

Carter G. Woodson

Carter G. Woodson, founder of ASALH

This year the Association for the Study of African American Life and History (ASALH) is celebrating its 100th birthday! Founded September 9, 1915, in Chicago, it was the brainchild of Carter G. Woodson, known as the Father of Black History.

Harsh portrait

Vivian G. Harsh

I attended an event at the Woodson library organized by the Chicago chapter of ASALH as part of the 100th anniversary events. It honored Vivian G. Harsh, a librarian, collector of black books, and longtime member/officer in what was then called the Association for the Study of Negro Life and History. There I got to chat with Michael Flug, archivist and co-collaborator on “The Negro in Illinois.”

M Flug BD

Later in September, I’ll be headed to ASALH’s national conference in Atlanta for the centennial celebration. On the way, I’ll be stopping at the historic Highlander Folk Center in Eastern Tennessee for their annual homecoming.

Also coming up on September 19, at 2 p.m., the Woodson library is hosting a talk by Northwestern Professor Aldon Morris about his important new book, The Scholar Denied: W.E.B. Du Bois and the Birth of Modern Sociology.

Scholar Denied



Lastly, I’ll be at Jane Addams Bookshop in Champaign giving a talk for “The Negro in Illinois” on Sunday, October 18 at 1 p.m. Stay tuned for more to come!



Artist and Writer Talks at the IMC: Jason Patterson & Brian Dolinar

Jason Patterson eventI’m happy to be collaborating with artist Jason Patterson for this upcoming event:

“Exploring African American History in Illinois & Throughout the United States”

Saturday, July 18, 2015 – 7:30pm10:00pm
At the IMC Gallery (202 S. Broadway, Urbana)

Talks on Our History and its’ Artistic Representations

With writer Brian Doliner, editor of The Negro in Illinois: The WPA Papers,
and artist Jason Patterson, who’s work in portraiture highlights cultural and
political significance within the African American narrative.

57th St. Books: Paperback Release of “The Negro in Illinois”

57th Street BooksI’m happy to announce the official release of the paperback issue of The Negro in Illinois: The WPA Papers! On Saturday, April 18, 2-4 p.m., I will be celebrating at 57th Street Books, one of the premier independent bookstores in Chicago. I’m honored to be joined by Chris Benson, University of Illinois journalism professor.

You can find the event on Facebook or at the 57th St. Books website.

My talk will be titled, “A New Deal Town: The WPA & Black Writers on Chicago’s South Side.” I’ll be discussing the influence of the “Chicago School of Sociology” on black WPA workers, many of whom were students at the University of Chicago including Horace Cayton, Arna Bontemps, and Katherine Dunham.

In this photo, Horace Cayton and Richard Wright observe a map of the South Side.

Cayton&Wright with a map of the South Side.

Among them was Horace Cayton who, as a graduate student in Sociology at the University of Chicago, supervised some two dozen WPA projects. This research became the basis of Black Metropolis, the landmark sociological work he co-authored with St. Clair Drake. Although never a college student, Richard Wright had sought out Louis Wirth, a sociology professor at the University of Chicago, who gave him several book titles to read.

I’ll also talk about a letter I discovered by Horace Cayton registering his “most emphatic protest” to the idea of a study of the South Side conducted by the University of Chicago under the auspices of the WPA. The letter was written before Cayton was on the WPA payroll. Ironically, it helped him get a job administering a similar project that would be black-led.


Personal Reminiscences of Fenton Johnson

Fenton JohnsonIt has been an exciting year taking The Negro in Illinois on the road, whether speaking to historians at the Illinois State Historical Society, or to black senior citizens on Chicago’s South Side. In the coming year, I am happy to announce a paperback edition of the book will be out in the Spring. A paperback issue of my first book The Black Cultural Front has also been released.

As we look back with the turn of the calendar year, I want to highlight several “personal reminiscences” of the poet Fenton Johnson, written while he was on the WPA and never before published. (In a future blogpost, I will write about his other WPA essays). Born in 1888, Johnson was from a family that was among the “old settlers” of black Chicago. His writings are a unique and intimate, if at times critical, portrait of those he called “Negro aristocrats.”

In the decade before the Harlem Renaissance, Fenton Johnson published three books of poetry and founded the magazine Champion to compete with the NAACP’s Crisis. According to editors of the The Negro in Illinois, he was the first to make “a complete break” with 19th century black verse.

Col. John R. Marshall“Personal Reminiscences of 8th Regiment Characters: Col. John R. Marshall” was written in two parts, dated July 25, 1940 and August 19, 1940. In Part One, Johnson remembers being invited to his uncle’s house for dinner with Col. John R. Marshall, who was famous as the first African American Colonel, in charge of the all-black 8th Regiment. In Part Two, he tells how Marshall helped him to get his magazine off the ground. These stories spark other memories about Marshall’s rejection of boxer Jack Johnson from the exclusive Appomottox Club, and his part-ownership of the black-owned Binga Bank, where Fenton Johnson worked briefly as publicity director.

Rev. Reverdy_C_RansomA subsequent article, “Eighth Regiment Characters III: Reverdy C. Ransom,” dated 1940, only briefly touches on the Fighting 8th. It is mostly about Reverend Ransom, pastor of the historic Bethel A.M.E. Church, and the first in Chicago to “render the race problem” in his sermons. According to Fenton Johnson, in one of these sermons during the Spring of 1898, Ransom first announced he and Col. Marshall had met with Governor Tanner about forming the Eighth Regiment. The essay mentions the many other institutions Ransom would help establish. Johnson recalls sending his poetry and prose to Ransom, who kindly published them in the A.M.E. Review.

Will Marion CookThe essay, “Personal Reminiscences of a Few Negro Composers: Will Marion Cook,” dated May 1940, recalls the composer who “dominated” black music at the turn of the century. As Johnson reminds us, Cook met his wife, singer Abbie Mitchell, at the Pekin Theater in Chicago. Johnson was introduced to Cook while a journalist in New York. Cook asked him to work on a song he was writing with fellow composer Joe Jordan, “Why not hook up with us and write the words for us?” Unfortunately, the song never materialized.

mary-richardson-jonesOther first-hand recollections of famous African Americans appear in the essay “Chicago Negro Aristocrats,” dated June 18, 1941. “When we speak of Chicago Negro aristocrats,” Johnson writes, “we are reminded of the first of all of them, Mrs. John Jones.” Mary Richardson Jones was the wife of John Jones, a wealthy African American tailor and abolitionist. The one time Johnson met Mrs. Jones was at a dinner held in her honor by his grandmother. Johnson’s portrait is unflattering. He calls her a “stern dictator” whose ideals were of the “lily white type.”

Read the essays by clicking: Col. Marshall Pt. 1, Col. Marshall Pt. 2, Rev. Reverdy C. Ransom, Will Marion Cook, Chicago Negro Aristocrats

Richard Wright’s WPA Writings from the Chicago Period

While on the WPA Richard Wright often sought advice from Vivian G. Harsh, librarian at the Hall Branch Library.

While on the WPA, Richard Wright often sought advice from librarian Vivian G. Harsh.

Previously published only in scholarly journals, Richard Wright’s WPA writings from his Chicago period are here for the first time made available to the public, as was intended by this government-sponsored program.

These ten writings were published in The Southern Quarterly following the 2009 Centenary Celebration of Richard Wright’s birthday in Natchez, Mississippi, which I attended. There are essays on the Chicago Urban League, hotels, and tourist sites like the White City amusement park, located on the South Side but prohibited to blacks.

Read the ten writings and an introduction by clicking: DolinarBrian_SouthernQuarterly_Winter2009_v46n2

Wright was most likely the first African American writer to work on the WPA in Illinois. The essay “Ethnographical Aspects of Chicago’s Black Belt” is dated December 11, 1935.

"Ethnographical Aspects of Chicago's Black Belt"

“Ethnographical Aspects of Chicago’s Black Belt”

For those who appreciate the original documents I am also including a copy of Wright’s essay about Washington Park. Read it here:          Richard Wright_Washington Park

The essay is dated March 27 and, although the year is not indicated, it was probably written in 1937. Washington Park, which still exists on Chicago’s South Side, was the place where Communists marched for the Scottsboro boys, Garveyites held parades in elaborate costumes, and Hammurabi Robb gave soapbox speeches about black history. As Wright wrote:

“Here on summer afternoons and evenings, the tourist may hear speeches and debates on any conceivable topic, by speakers representing every conceivable opinion. This is a Chicago open forum.”

I found these writings at the Library of Congress in Washington DC, Abraham Lincoln Presidential Library in Springfield, Illinois, and Vivian G. Harsh Research Collection in Chicago.


“Don’t Spend Your Money Where You Can’t Work”: WPA Document by Black Radio Pioneer Richard Durham

Over the coming months, I plan to post several important WPA documents that were not included in The Negro in Illinois: The WPA Papers, but will be of interest to scholars and the public. For the first time, Richard Durham’s essay, “Don’t Spend Your Money Where You Can’t Work” is made available here.

To read it click here: WPA documents Richard Durham Don’t Spend.

DurhamRichard Durham was a pioneering radio writer, best known for his series Destination Freedom, a radio program dramatizing African American history broadcast on WMAQ in Chicago from 1948 to 1950. He was blacklisted in the radio industry during the 1950s, and worked as a union organizer with the United Packinghouse Workers of America. When Elijah Muhammad started his newspaper Muhammad Speaks, he hired Durham as one of its first editors. Durham met Muhammad Ali through the Nation of Islam and helped the boxer write his 1975 autobiography The Greatest: My Own Story. Sonja Williams, professor at Howard University is soon to publish a book on this important black cultural worker titled Destined for Freedom: The Life and Times of Radio Hall of Famer Richard Durham (University of Illinois Press).

Before making his mark in radio, Durham got his start on the Illinois Writers’ Project. He first worked on a study of the black press headed by Horace Cayton, author of the landmark sociology Black Metropolis. In early 1939, Durham joined the WPA and recorded surveys of black newspapers. According to an outline, “Don’t Spend Your Money Where You Can’t Work” was one of ten chapters for an unpublished book on the black press. While the essay is not dated, it was probably written in the late spring of 1939. Soon after, Durham was transferred to the Illinois Radio Project, where he met Oscar Brown, Jr. and Studs Terkel, and it was here that he discovered his love for radio.

Click on picture for larger image.

Click on picture for larger image.

This 29-page essay takes its title, of course, from the “Don’t Spend Your Money Where You Can’t Work,” campaign led by the Chicago Whip from 1929 to 1932. Durham uses this as an opener to talk about the fight against job discrimination. He quotes extensively from the Whip, Chicago Defender, and Anthony Overton’s Chicago Bee. Durham looks at coverage in the black press of A. Philip Randolph’s Brotherhood of Sleeping Car Porters, the rise of the CIO, and the growing interest in Communism.

The original version of this essay can be found in The Illinois Writers’ Project/”Negro in Illinois” Papers (Box 41, folder 7) at the Vivian G. Harsh Research Collection of Afro-American History and Literature. What is attached here is a scanned image of a photocopy. Readers may find some interest in the editorial comments, although it is not clear whose handwriting it is in (Arna Bontemps, editor of The Negro in Illinois, was not hired on the WPA until late 1939). For example, on page 28 a critical comment by Durham was crossed out:

“Truly, the search for democracy in the ‘land of the free’ is a long and weary one.”

This reflects some of the censorship that undoubtedly took place on the project, most likely to avoid gaining the attention of those wishing to paint the WPA’s cultural projects as infiltrated by Communists.

In fact, the WPA’s detractors were not entirely wrong. It was during these years that Richard Durham was a member of the Communist Party and involved in the activities at the local office of the National Negro Congress, where he met his wife Clarice Durham. This is reflected in the heavily Marxist tone of the essay. “The most telling and detrimental form of discrimination,” Durham states at the outset, “is economic discrimination.”

Enjoy reading! BD